Now I hate being an adult and being mature. Things like this make me regret it. I want to go back to those days of complicated decisions like whether or not I should iron my underwear.
It doesn’t seem right that from life to the grave should take just a week.
Not fair at all. Just unvarying and inevitable. It’s the pragmatic, existentialist attitude I have that takes affront at all this. It’s the way it is and the way it has always been and people never expect it or learn from it or anticipate the sadness and madness we all carry within us. It sickens me that selfishness overwhelms compassion for many of us. But that is unvarying and inevitable too.
Ibsen said something like, “The majority is always wrong.” Steve McQueen liked to quote it. We are the majority.
But we’re also the white knights and the only hope each other has.
If we weren’t that there’d be nothing left but despair.
My top ten flics for 2010 list is only 3 movies long.
1) Kick-Ass – This is a movie that slips past the mindlessness on first viewing. It starts out a simpleminded teen comedy thing but then erupts into something I’ve never seen before. It’s a smart movie, with a hip sound track. It also includes one great performance and one great character. In one word “Hitgirl”.
There’s a scene in the movie that actually gets me misty eyed. Shocker. It’s where the bad guys are beating Kick-Ass and Nick Cage to death on a web cast. All seems lost until an 11 year old girl’s love for her father draws her into the heel bent world he created for her and leaves as her only legacy. She comes and systematically and believably kills off the bad guys with knife and gun. Cage has been set on fire but even while burning alive he yells out commands to Hitgirl, commands she understands even though Cage’s voice is a shriek of pain, love and concern.
It’s an unbelievable scene that they nearly but not quite ruin with the bathetic conclusion.
2) I Saw The Devil – I’ve already written about this devastating Korean serial killer movie.
3) Ong Bak 3 – Must see even though it fails as often as it succeeds. Tony Jaa will never, it appears, exceed his brilliant “Tom Yum Gum”, but here he attempts so much more.