DVDpedia : Library : Genre : S

Theatrical: 1982

Studio: MGM

Genre: Satanism

Duration: 100

Summary: Based on the true story of the DeFeo case. An Italian-American family move into a house built on an ancient Indian burial ground. The oldest son is possessed by an evil spirit, and is forced to murder his family. The family's priest feels responsible, and tries to save the possessed boy's soul.

Theatrical: 2004

Studio: Tokyo Shock

Genre: Satanism

Duration: 95

Summary: So ... given my rather glowing review of "Long Khong" (Art of the Devil 2), was "Kong Len Khong" (Art of the Devil) any good? Nah ... the first Art of the Devil turns out to be just a pedestrian Thai horror movie with little horror, a predictable story, some gore (bleeding gullets and razor blades galore) but not much else. Here's the Cliffs Notes summary: A pretty young woman is introduced to a rich middle aged man, and proceeds to have a torrid affair with him. She gets pregnant and blackmails him into paying her off. He gets upset and arranges for her to be gang-raped by three of his rich friends. She gets more upset and pays an evil shaman to bump him and his family (and his lecherous friends and their families as well) off in nasty ways (picture bloody gullets, razor blades, and rusty nails). Then she gets even MORE upset when the estate of the rich man goes to his common-law wife's family (i.e. "unofficial" second wife i.e. concubine/mistress). And so the evil shaman gets more business, casting a love spell on the eldest (illegitimate) son so that his conniving client can sleep her way into the family and then kill them off one by one with the aim of ultimately inheriting the late rich man's estate. But she did not count on the late rich man's plucky young (illegitimate) daughter and her inquisitive reporter friend. And so both her and her evil shaman get their comeuppance in due course, after a lot of eels, cowhides, bloody gullets, razor blades and rusty nails again (which obviously don't mixed well), and gunshots. End of movie. I did say it was a rather pedestrian Thai horror movie.

Theatrical: 1990

Studio: Anchor Bay

Genre: Satanism

Duration: 82

Summary: A cruel circus owner beats and abuses his pregnant wife. One day the circus receives a leopard newly captured in Africa, but the animal soon dies. However, an evil creature that was inside the leopard bursts out of the animal's body, burrows into the wife's body and takes over her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new "baby."

Theatrical: 1971

Studio: Tigon British Film Productions

Genre: Satanism

Duration: 93

Summary:

Theatrical: 1982

Studio:

Genre: Satanism

Duration: 82 Minutes

Summary:

Theatrical: 2005

Studio: Warner Home Video

Genre: Satanism

Duration: 121

Summary: The story of irreverent supernatural detective John Constantine, who has literally been to Hell and back. When Constantine teams up with skeptical policewoman Angela Dodson to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

Theatrical: 2007

Studio:

Genre: Satanism

Duration: 90

Summary:

Theatrical: 2005

Studio: Anchor Bay

Genre: Satanism

Duration: 78

Summary: BLADE meets "Buffy the Vampire Slayer" - BILLY DRAGO stars as a half human/half demon who fights to save the world from a vicious demon bent on forcing possessed women to bear its children.

Theatrical: 1974

Studio: St Clair Vision

Genre: Satanism

Duration: 88

Summary: Seven travelers stranded in the Italian countryside accept the hospitality of a kindly castle lord, but what horror awaits them: the family has a curse on it that dooms the eldest daughter of each generation to become an agent of the devil, and guess who's coming home. After a striking opening scene (involving a Nazi officer in 1944 overseeing the birth of his child, which turns out to be... an accursed daughter!), this horror tale drags along at a glacial pace until the visitors settle in enough to take a little time out for sex, which serves as an appetizer to sadistic murders. The guests, ostensibly representative of the Seven Deadly Sins, die in appropriately thematic twists at first, though after gluttony, greed, and lust the point gets stretched. This low-budget example of horrotica has its entertaining moments, an appropriately lurid style (courtesy of Belgian director Jean Brismee), and even an appearance by former French matinee idol Jean Servais ("Beauty and the Beast"). Included are trailers for this and three other Italian exploitation films and an extended introduction by British horror hostess Eileen Daly (which was actually recorded for a different film!), a black-leather Elvira with a whip and a penchant for kink that may not be to the tastes of all audiences. "-Sean Axmaker"

Theatrical: 2005

Studio: Asylum Home Entertainment

Genre: Satanism

Duration: 83

Summary: This film reeks of stupidity. Puts me in mind of the "Gingerdead Man". The latter being far superior, in an inferior sort of way, you understand. The acting is silly and forced. The set design, if you'd call it that, is inane and gives the impression that a few kids from the location neighborhood decorated the "room" for a haunted house (take special notice of the bedsheet draped along the window). The fog machine used to simulate cold is ridiculous, especially since there was no "breath" visible when the actors spoke their stupid lines. The psychiatrist friend making house calls? Please. The writing, did I mention the writing? Lord help us from this film, deliver us all. The gore scenes were obviously immature. The two sets of breasts shown were so not needed and only pressed that fact "they" were included to induce young men to rent this film. The CLIMAX was droning and the central character priest was laughable within the context of him trying to be serious. This film was a joke, not even the laughable type. It was horrid and should be avoided at all cost. This film should even be avoided by those who are masochistic. Stupid bull@#$%. Eye rolling, at best.

Theatrical: 1973

Studio: Warner Home Video

Genre: Satanism

Duration: 132

Summary: Director William Friedkin was a hot ticket in Hollywood after the success of "The French Connection", and he turned heads (in more ways than one) when he decided to make "The Exorcist" as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made with a soundtrack that's guaranteed to curl your blood, "The Exorcist" was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. Don't say you weren't warned! "--Jeff Shannon"

Theatrical: 1991

Studio: Cecchi Gori

Genre: Satanism

Duration: 116

Summary: A spree of grisly murders is perpetrated in Frankfurt by a group of Satan worshippers. A school teacher almost runs over an old man with a box and takes him in. It's no accident that the old man has come into her life, and it quickly becomes apparent that he has plans for her, plans that involve a permanent future with the Satanic cult.

Theatrical: 1991

Studio:

Genre: Satanism

Duration: 93

Summary: Martin is a total loser, who nobody cares for. When he fails to get a position as guitar player in Lindsay's band and loses his job on the way, he makes a deal with a Voodoo priestess. She promises him the fulfillment of all his dreams if he swears obedience to her. He becomes a rock star and has many women - but to stay alive, he has to kill other people.

Theatrical: 2007

Studio: Deacon Entertainment

Genre: Satanism

Duration: 95

Summary: When the ten-year-old son, David, (Blake Woodruff) of a wealthy New England socialite is abducted, his kidnapper Max Harper (Josh Holloway) and his seedy associates assume it will be a routine kidnapping in exchange for a large ransom. Unknown to the kidnappers, the shy and reserved David actually has a hidden agenda of his own, and a mysterious way of tapping into the minds of others. Soon, Max will wish that he had never kidnapped David, much less even heard of him.

Theatrical: 1959

Studio: Image

Genre: Science Fiction

Duration: 85

Summary: He walks through walls of solid steel and stone--into the 4th dimension. Scientific whiz Tony Nelson (James Congdon) has made an amazing discovery. He has developed a method of stimulating the molecular structure of objects so that they can be joined or passed through one another. Stumbling upon this incredible secret is Tony's older brother, Scott (Robert Lansing), a fellow scientist who decides to take the experiment one step further. Soon he is able to pass himself through doors and walls. But his newfound freedom of movement has unforeseen side effects, for each time the power is used, Scott ages a bit and only by touching other living beings, thus taking their lives, can he maintain his age. In addition, this incredible force is driving him quite mad...

Theatrical: 1957

Studio: Sony Pictures

Genre: Science Fiction

Duration: 82

Summary: The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome.

Theatrical: 1956

Studio: Holiday Film Productions Ltd.

Genre: Science Fiction

Duration: 90

Summary: In a futuristic, state-run society controlled by "Big Brother" in which love is outlawed, employee of the state Winston Smith falls for Julia, and is tortured and brainwashed for his crime.

Theatrical: 1982

Studio: Deaf Internacional Film SrL.

Genre: Science Fiction

Duration: 100

Summary: In a post-apocalyptic New York City, a policeman infiltrates the Bronx Warriors, which has become a battleground for several murderous street gangs. It's the dead of night, and nobody at all is on the street. On the other side of the bridge, a Manhattan runaway, girl named Young Ann is attacked by a gang of street hockey players! These guys are on roller skates, dressed in fiberglass safety gear, and are wielding hockey sticks as weapons. They chase Young Ann into a dead end and surround her, but then they are themselves surrounded by a much tougher-looking gang who at least have the self-respect to ride motorcycles. In the middle of this chaos, gang leader Trash steps in to take care of her.

Theatrical: 2002

Studio: Adv Films

Genre: Science Fiction

Duration: 136

Summary: There are breakpoints in the history, the result of a single event may change the whole course... In 1909, an assassination attempt to a Japanese governor fails - the assassin was shot by a soldier. Now, in 2009, Korea is just another state of the Japan Empire and Seoul has become a major city. A Korean resistance group called Hureisenjin is formed to fight for liberty and independence. Two cops, a Japan and a Korean (who denied his heritage) are investigating the actions of this "terrorist" group. And their work lead them to an artifact of the ancient Korean religion of "Sun and Moon".

Theatrical: 1991

Studio: Simitar Ent.

Genre: Science Fiction

Duration: 170

Summary: Abraxas, an intergalactic, alien police officer, has just been sent to Earth to track down and apprehend an alien renegade.

Theatrical: 1984

Studio: MGM

Genre: Science Fiction

Duration: 103

Summary: "The Adventures of Buckaroo Banzai: Across the 8th Dimension" is one of the most agreeably insane movies ever made. Peter Weller stars as Buckaroo, an acclaimed neurosurgeon, particle physicist, and, of course, rock star. He travels with the Hong Kong Cavaliers, a band of hard-rocking scientists who are also really good dressers. Buckaroo's interdimensional experiments with his Operation Overthruster throw him (and the Earth) straight into the middle of an alien war, and before you know it, he's got just a few hours to save the world. Confused? Hang on, we're only 10 minutes into the movie. "Buckaroo Banzai" hurls you right into the middle of its comic-book universe and keeps going at a breakneck pace. It's chock-full of overlapping jokes (even as we're trying to make sense of Dr. Lizardo's hospital room, a voice calmly announces that "lithium is no longer available on credit" over the PA system), hilarious throwaway dialogue ("You're like Jerry Lewis: you give me hope to carry on."), and weirdness just for the sheer joy of it ("Why is there a watermelon there?" "I'll tell you later."). You'll want to watch it at least twice--there's just no way to catch everything the first time around. Ellen Barkin has a terrific time doing a dead-on film noir moll parody as Penny Priddy, and John Lithgow turns in a brilliant manic performance as Dr. Lizardo/John Whorfin. There is no reason not to own this movie unless you are cold and dead inside. Laugh while you can, Monkey Boys. "--Ali Davis"

Theatrical: 2005

Studio: Paramount

Genre: Science Fiction

Duration: 93

Summary: Like the animated series it's based on, "Aeon Flux" is the kind of sci-fi that's best appreciated by the MTV generation. It's a serious attempt at stylized, futuristic action/adventure (the title character, played by Charlize Theron, is essentially a female James Bond for the cyberpunk era) and taken for what it is, it's not all that bad. The action takes place in the year 2415, four centuries after a virus nearly decimated the human race, leaving only five million survivors in a utopian city called Bregna. Aeon belongs to the Monicans, a secret rebel resistance force that is struggling to destroy the Goodchild regime led by its namesake, Trevor Goodchild (Martin Csokas), the ruler of Bregna and a descendant of the man who found a cure for the deadly virus. As instructed by the Handler (Frances McDormand, gamely playing along in ridiculous sci-fi regalia), Aeon is assigned to assassinate Goodchild, but there are deeper secrets to be discovered, and conspiracies to be foiled. This leads director Karyn Kusama (who fared much better with her debut feature "Girlfight") to indulge in all sorts of routine action and fast-paced gunplay, but the elusive pleasures of "Aeon Flux" are mostly found in the sleek athleticism of Theron and costar Sophie Okonedo (as a fellow Monican), who commit themselves 100% to roles that are dramatically flat yet physically dynamic. Other highlights include Aeon's high-tech gadgetry (including an eyeball that doubles as a microsocope) and the amusing sight of Pete Postlethwaite in a costume resembling a construction-site disposal tube, but "Flux" fans may wonder what happened to the surreal, chromium sheen future that gave the MTV series its visionary appeal. As a live-action feature, "Aeon Flux" is a miscalculated exercise in cheesy style and dour tone, but it's entertaining enough to earn a small cadre of admirers. "--Jeff Shannon"

Theatrical: 2004

Studio: 20th Century Fox

Genre: Science Fiction

Duration: 101

Summary: In delivering PG-13-rated excitement, "Alien vs. Predator" is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the "Alien" legacy and the still-kicking "Predator" franchise (which hinted at "AVP" rivalry at the end of "Predator 2"); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic "AVP" smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen "Mortal Kombat" or "Resident Evil" should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. "--Jeff Shannon"

Theatrical: 1986

Studio: 20th Century Fox

Genre: Science Fiction

Duration: 137

Summary: The only survivor of the Nostromo, Ripley is discovered in deep sleep half a century later by a salvage ship. When she is taken back to Earth, she learns that a human colony was founded on the same planet where the aliens were first found. After contact with the colony is lost, she finds herself sent back to the planet along with a team of warriors bent on destroying the alien menace forever, and saving any survivors -- if any remain.

Theatrical: 2002

Studio: Suplex

Genre: Science Fiction

Duration: 119

Summary: Tenshu is imprisoned and sentenced to death for murdering the men who raped his girlfriend. However, he manages to survive his execution and is presented with an option: face another execution attempt or subject himself to their bizarre and dangerous experiments. He choses the latter and is put in a cell with a rapist and a woman who's infected with a taint that transports from person to person during extreme anger. The taint is transferred to Tenshu and he must now deal with the military who has interrupted the experiment to obtain it.

Theatrical: 1965

Studio: Criterion

Genre: Science Fiction

Duration: 99

Summary: A cockeyed fusion of science fiction, pulp characters, and surrealist poetry, Godard's irreverent journey to the mysterious "Alphaville" remains one of the least conventional films of all time. Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to kill the inventor of fascist computer Alpha 60. Criterion's edition of this seminal film features a new digital transfer.

Theatrical: 1960

Studio: MGM

Genre: Science Fiction

Duration: 57

Summary: Paul Krenner, an ex-major with delusions of grandeur, has forced scientist Peter Ulof to develop a radiation-based technique to turn men invisible, with which process he plans to create an invisible army to sell to the highest bidder. He busts safecracker Joey Faust out of prison and forces him to undergo the invisibility treatment so he can steal more radium to further the experimentation. Plans go awry when Faust discovers there is a side-effect to the invisibility treatments he didn't count on.

Theatrical: 1973

Studio: Image

Genre: Science Fiction

Duration: 99

Summary: When "The Asphyx" was released in 1973, "The Exorcist" was about to change the landscape of horror forever, moving the genre away from subtlety and into the realm of graphic effects and makeup. That's one of the reasons why "The Asphyx" was a box-office flop, fondly remembered by a select few who never forgot this quirky little "thinking man's horror film" (as "Variety" called it), in which a 19th-century British philanthropist and amateur psychic researcher embarks on a fateful quest for immortality. Sir Hugo Cunningham (nicely played by Robert Stephens) has a morbid hobby of taking photographs of dying people, and this leads to his discovery of a nebulous spirit of the dead--known in mythology as the Asphyx--that appears (only visible on photographic plates) at the moment of death. Sir Hugo becomes obsessed with capturing his own Asphyx and thus ensuring that he cannot die, but of course this is an ill-fated ambition that puts Sir Hugo on a ruinous path to destruction and death.
With its talky, literate script, well-drawn characters, and fascinating themes, "The Asphyx" bears closer resemblance to the Hammer horror films that became passé in the early and mid-1970s. The chills are subtle but effective under the direction of Peter Newbrook, and the widescreen cinematography by Freddie Young (whose credits include "Lawrence of Arabia") adds polish and elegance to the proceedings. Filled with foreboding atmosphere, this is an intelligently conceived horror film that relies more on story than shocks, although the screeching Asphyx is eerily haunting. Kudos to Allday Entertainment for producing this DVD--"The Asphyx" has been rescued from obscurity, painstakingly remastered in its original 2.35:1 aspect ratio for discerning connoisseurs of high-class horror. "--Jeff Shannon"

Theatrical: 1960

Studio: Alpha Video

Genre: Science Fiction

Duration: 73

Summary: In the 21st century Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station. Tension mounts between Peterson and the station commander, who believes he is in the way, but has orders to leave him alone. Errant spaceship Alpha Two enters the solar system and its photon generators are radiating enough heat to destroy Earth as it approaches. It falls to Peterson to try to figure out a way to enter the spaceship, disarm the generators, and escape before suffocating.

Theatrical: 1957

Studio: Image

Genre: Science Fiction

Duration: 62

Summary: A pair of crooks (Kenne Duncan and Jeanne Tatum) take over the country house of a geologist (Robert Clarke) and his trusty dog. They have kidnapped an heiress (Marilyn Harvey) where they plan to hold her until the ransom is collected. Soon they hear an explosion in the woods nearby that turns out to be a spaceship containing a sexy blonde alien with a skintight metallic suit, high heels, lipstick, and incredible eyebrows (Shirley Kilpatrick). Don't let her touch you in any way! The plot is advanced by an off-screen narrator.

Theatrical: 1976

Studio: Simitar Ent.

Genre: Science Fiction

Duration: 85

Summary: A convicted strangler, studying the paranormal in his jail cell, learns to make himself invisible. As an invisible man, he escapes from prison to stalk and strangle the five women who testified against him at his trial. Robert Foxworth plays the police lieutenant assigned to protect them, and to catch the invisible strangler.

Theatrical: 1995

Studio: Buena Vista

Genre: Science Fiction

Duration: 84

Summary: Among the finalists for "Centerfold Of The Year" are Angel and her spiteful rival Betty. However, no one is aware of Angel's involvement in a secret medical beauty enhancement program headed by Dr. Lindstrom. Desperate to win, Angel overdoses on Lindstrom's formula, with disastrous results. Soon she has grown to monstrous but shapely proportions, causing all sorts of complications, the most dangerous being Betty's jealousy of Angel's new-found attention. Betty discovers Angel's secret and takes the formula herself, causing her to grow into an equally gorgeous giant. As the girls battle it out on Hollywood Blvd., Dr. Lindstrom races to find an antidote.

Theatrical: 1959

Studio: Alpha Video

Genre: Science Fiction

Duration: 62

Summary: After local-moonshine swilling trapper Lem Sawyer sees a giant creature, people start disappearing. While searching for illegal traps Steve Benton and Nan Greyson, his girl-friend find Lem dying with giant sucker wounds on his body. One couple Liz Walker and Cal Moulton, forced into the water by her enraged husband Dave Walker, gets taken by the leeches. When police refuse to believe Dave's story, he hangs himself. Soon after this, 2 more trappers disappear, the local Game Warden Steve Benton gets involved. He and Nan's father Dr Greyson realize that the people were taken by the leeches and the leeches live in caves under the swamp. Using dynamite, the 4 missing bodies are discovered and the leeches are destroyed.

Theatrical: 2007

Studio: 20th Century Fox

Genre: Science Fiction

Duration: 93

Summary: A little town in the hills of Colorado will become the battleground between two of the deadliest extra-terrestrial lifeforms - the Alien and the Predator. When a Predator scout ship crash-lands in the hills outside the town, Alien facehuggers are released in the crash, and an even more evil creature - a hybrid Alien/Predator - is also released. A man & his son hunting in the forests near the crash site soon become the first victims of the facehuggers, and when a Predator receives data about the crash on his home planet, he comes to Earth. One at a time, the inhabitants of the town become targets of the Aliens and the Predator, including the local sheriff, a young female soldier recently returned from Iraq, and several teens. Though the National Guard is called in, they are unable to stop the deadly creatures, and a plan is set in motion to destroy the town with a nuclear device...

Theatrical: 1968

Studio: Paramount

Genre: Science Fiction

Duration: 98

Summary: After an in-flight anti-gravity striptease (masked by the film's opening titles), Barbarella (Jane Fonda), a 41st century astronaut, lands on the planet Lythion and sets out to find the evil Durand Durand in the city of Sogo, where a new sin is invented every hour. There, she encounters such objects as the Exessive Machine, a genuine sex organ on which an accomplished artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who, in her dream chamber, can make her fantasies take form, and a group of ladies smoking a giant hookah which, via a poor victim struggling in its glass globe, dispenses Essance of Man. You can't help but be impressed by the special effects crew and the various ways that were found to tear off what few clothes our heroine seemed to possess. Based on the popular French comic strip.