Languages: English
Sound: Dolby Digital 2.0
Summary: Spaghetti westerns are, in my opinion, generally the best fictional films about the American West. You can argue that John Wayne made a bunch of great movies about life in the Old West, and you would be right to say so, but for some reason the Italians captured perfectly the specific elements of the era that made their movies seem more realistic. The frontier was a dirty, violent place full of unsavory types trying to get rich quick. Italian westerns capture this mood expertly whereas American films portray characters whose outfits look like they just came back from the dry cleaners. Hollywood films also tend to apply a black and white dichotomy onto their characters, the old "good guys wear white, bad guys wear black" philosophy that obscures the reality of the time and place. Not so in Italian films, where even the good guys often have distinctly unsavory traits. It's too bad spaghetti westerns went the way of the dinosaurs a few decades back; I never tire of watching these films even though I am not an expert on the genre. "Keoma," part of the larger Anchor Bay "Once Upon a Time in Italy" spaghetti western box set, serves as an excellent example of how powerful the genre once was.
Surprisingly, I discovered none other than director Enzo G. Castellari lensed this epic western, and actually made it when the spaghetti western genre was essentially dead on its feet. Castellari's name should ring a few bells with fans of low budget Italian schlock; he's the guy who made "1990: The Bronx Warriors" and "Escape From the Bronx," two science fiction films of such mediocre standards that anyone who appreciates such things should immediately check them out. With "Keoma," Castellari proves he's much better than most of his output. The story stars the ever reliable Franco Nero as Keoma, a brooding, mixed blood loner returning home from the Civil War to find his family and his town suffering under the throes of a plague and a gang of thugs. The cast of characters in this picture is a veritable who's who of low budget Italian movies. You've got Olga Karlatos, sans a splinter to the eye, playing a woman infected with the plague. Donald O'Brien turns up in the role of gang leader Caldwell. Then there's Woody Strode as George, a one time slave owned by Keoma's father who now ambles about town drinking himself into a stupor and plucking a broken down banjo. William Berger turns in a competent performance as William Shannon, Keoma's father as well as the father of the loner's three half brothers. How can you go wrong with such a cast?
Keoma has several problems. First, he can't stand to sit idly by as thugs prey on the townspeople. His concern in this area leads him to rescue Karlatos's character from the clutches of several gang members, something he must do occasionally throughout the film as none of the citizens in town want this infected woman living in their midst. Second, his three brothers--Lenny (Antonio Marsina), Cham (Joshua Sinclair), and Butch (Orso Maria Guerrini)--carry a huge grudge against their half brother. They always have, too, as we learn from flashbacks to Keoma's childhood appearing throughout the film. Third, Keoma must continually confront members of Caldwell's gang, no easy feat considering the sheer numbers of ex-Confederate soldiers now working for this brutal goon. You just know from the start that these three elements will eventually culminate in a frenetic, no holds barred shoot out with a high body count. Thankfully, Keoma possesses the necessary skills--a quick draw, piercing gaze, and flashing fists--to get the job done.
"Keoma" is a spaghetti western unlike "A Bullet for the General" or "Companeros," two of the other films in the box set, because Castellari refused to instill a strident political message in the story. In fact, if the biography of the director included in the extras section on the disc is any indication, Nero and Castellari made up the dialogue and scenes as they went along since the two men disliked the initial script. "Keoma" is more along the lines of a Leone/Eastwood epic in that the hero rides into town, purges the necessary evils, and then moves on at the end. It's a lesson in good versus evil, folks, and it's a very good exposition on that age-old cinematic dichotomy. Two other elements help "Keoma" shine in my eyes. First, the music score is unique to say the least. Imagine twangy, Leonard Cohenesque narrative songs praising the virtues and activities of the main hero as the action unfolds, and you'll have some idea of what the film sounds like. Or maybe not. You really need to hear the songs yourself in order to fathom the experience. Second, and most important, Castellari relies heavily on stylish, slow motion violence typical of Sam Peckinpah countless times throughout the movie. We see guys flying through the air full of buckshot, falling off of horses after catching a bullet, and splashing into water frequently. It's great fun.
Anchor Bay deserves our kudos for once again doing a great job on a spaghetti western. The widescreen transfer looks good (although not as good as "Companeros" or "A Bullet for the General"). Extras on the disc include a lengthy trailer, bios for Franco Nero and Castellari, and a ten-minute interview with Nero about the production of the film. Even more surprising is the inclusion of a commentary track with Enzo Castellari himself. The director promises to make another western in the future toward the end of the commentary track, but time will tell. I'd sure like to see a resurgence of the spaghetti western genre. Until then, I'll content myself with films such as "Keoma."