Languages: English
Comments: Eerie! Terrifying! Chilling!
From Xvid
With Combat Shock
Summary: After appearing in a slew of poverty row features throughout the 1930s and into the 1940s there's slight sense of renewal in seeing Bela Lugosi donning the role of a vampire in the film Return of the Vampire (1944). Oh sure, his character here isn't the same as the one he most famously portrayed in Tod Browning's Dracula (1931), but it might as well be...directed by Lew Landers (The Raven, Condemned Women), based on an idea from Kurt Neumann (Kronos, The Fly), the film stars, as I've mentioned, Bela Lugosi (Dracula, White Zombie). Also appearing is Frieda Inescort (The Alligator People), Nina Foch (Cry of the Werewolf), Roland Varno (Women in Bondage), Matt Willis (The Mark of the Whistler), Gilbert Emery (The House of the Seven Gables), and Miles Mander (Tower of London, The House of the Seven Gables), probably best remembered as his role of Cardinal Richelieu from the classic film The Three Musketeers (1939).
As the film begins we learn the year is 1918, and we're in the outskirts of London. Seems a woman, now a patient of a sanitarium run by a woman named Lady Jane Ainsley (Inescort), is suffering from a strange case of anemia, enough so to warrant Lady Jane to call in a colleague named Dr. Walter Saunders (Emery). After reviewing the works of a Romanian scientist named Armand Tesla, an authority on vampires, who's been dead for the past two hundred years, Saunders believes the woman's condition is tied to the supernatural. After Saunder's granddaughter Nicki is attacked, he and Lady Jane seek out the creature and stake it up good. Flash forward about twenty five years and we learn Lady Jane's son John Varno is engaged to Nicki (Foch). As the Jerries (i.e. the Germans) are aerial blitz bombing England (WWII was in full swing by this point), the vampire's grave is unearthed, and later a couple of comic relief types charged with graveyard detail cleanup remove the spike, which, as you can guess, brings the vampire back to life. Oh, by the way, the vampire is actually Armand Tesla (Lugosi) himself. Anyway, with his wolf man minion Andreas (Willis) in tow, Armand poses as a scientist named Hugo Bruckner, a recent escapee of a German concentration camp, to get close to Lady Jane and her family in order to exact his revenge for what went down so long ago, his dastardly scheme involving turning Nicki into pawn to do his bidding (man, vampires sure are a vindictive lot). Lady Jane soon realizes what's going on and enlists the aid of a skeptical Scotland Yard commissioner named Sir Frederick Fleet (Manders) to help her free her family of the curse of Tesla and put an end to the menace once and for all...
I think this film has a number of things going for it, the main being the presence of Bela Lugosi in the role of the vampire. Lugosi, who was in his early sixties at the time (I believe), still possessed a good deal of what he displayed some thirteen years prior in his landmark role of Dracula (charm, allure, magnetism, call it what you will). That's not to say this film is on par with Dracula, because it's not, but it is still a lot of fun, especially if you enjoy old timey monster movies (you know I do). I think the thing that hurts this film the most is the writing. It's not that it's bad, but it just feels so derivative of what came before. A number of aspects to sort of make up for this, including the solid performances, the decent direction, the atmospheric settings, and the overall strong production values (the graveyard bits were especially ookie). The wolf man bit tended to draw a few chuckles from myself as the character spent an inordinate amount of time slinking about, carrying, for reasons not entirely clear, Tesla's laundry bundled up in a paper parcel. I guess when you've spent the last twenty odd years in the ground, your clothes tend to get a bit rank, so it's advisable to always keep a clean outfit on hand. It's unclear why Tesla maintained a lackey in the form of a wolf man, other than it allowed for the inclusion of two monster type creatures rather than one. The wolf man character didn't seem to follow the established structure presented in past films in that his transformation here seemed voluntary, an aspect he could almost control, and not something dependant on the lunar cycles. I was willing to go along with this, but I was slightly annoyed by the fact he was relegated strictly as a lackey, present only to do the bidding of his vampire master. In my mind frame, a wolf man is no one's subordinate, except maybe for his lunar mistress. In wolf form Andreas really didn't seem all that menacing, but more like an oversized yappy dog in search of a treat. Another element I found a little hard to swallow was how quickly the scientific types were willing to buy off on the supernatural as being the cause for a strange, unexplained ailment. I suppose given the fact the film only runs about an hour and ten minutes there wasn't time allowed for them to deal with putting aside their secular leanings in order to accept the mythical, but still they, being Dr. Saunders and Lady Jane, seemed awfully easy to convince, based on so little, at least initially (then again, it is just a movie, so perhaps I shouldn't read so much into it). Taken for what it is, a middling monster movie loaded with atmosphere, the film is a lot of fun, and worth seeing if only to show Lugosi still had it, it being the ability to bring forth, many years after the fact, from a role he literally defined.
The picture on this Columbia/Tri-Star DVD release presented in fullscreen (1.33:1), looks relatively clean and clear, but does display some occasional white specking. The latter didn't bother me much as it didn't seem present throughout, and picture comes off as well as most any have probably ever seen it, bar those who may have been present for the original theatrical release. One noteworthy aspect is the inclusion of a bit of text prior to the opening credits, something apparently missing on previous VHS and Laserdisc releases. As far as the mono audio, it comes across well. There's not much in the way of extras except for subtitles in English, French, Spanish, and Japanese, along with a couple of trailers for the films Bram Stoker's Dracula (1992) and The Revenge of Frankenstein (1958). The release seems a bit pricey for so seemingly little, but if you're a fan of Lugosi or old timey monsters, then you probably won't mind coughing up the dough to add this to your collection.
Cookieman108